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PRACTICE TIPS is an occasional email newsletter with practical
piano practice tips and ideas, by Brent Hugh
You are receiving PRACTICE TIPS because you subscribed to PRACTICE
TIPS at the Practice Tips Web Page or because you are a student of
Brent Hugh. To end your PRACTICE TIPS subscription, see the
instructions at the end of this message.
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PRACTICE TIPS #22: Look Ma, One Hand!
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In my practicing this week I've been reminded again of the power of one of
the most basic kinds of practice: hands alone.
Pianists often do a lot of hands-alone practice when first learning a
piece. Once the piece can be played hands together, hands alone practice
usually hits the dustbin of history.
It's just at that point, though that hands alone practice can be most
useful and productive.
Here are some of the benefits of hands alone practice, that I have noticed
in my own practice this week:
* Hands alone practice sharpens your hearing. Once you really know how
that inner line in the left hand goes (because you have practiced left hand
alone until it is memorized) you can hear it and shape it even while
hearing and shaping the other three voices that are playing simultaneously.
* Left-hand-alone practice helps that often-neglected hand immensely. Too
often the ear and mind focus on the melody (usually the right hand) and
everything else "just happens". In piano playing, what "just happens" is
usually pretty unmusical--chances are the ignored left hand part lacks
shape, internal balance, line, and a sense of direction. Working left hand
alone remedies these defects and helps your overall playing have more
substance and character.
* Hands alone practice helps your memory. Once you have memorized your
piece and know it in sections, hands together, how about memorizing each
section hands alone as well? As you continue to work on the piece, keep
reviewing hands-alone memory for each section, as well as hands-together
memory. You'll be surprised at how much more secure your memory, and how
much better you know and understand the music, if you really know both
hands alone.
A Couple of Off-topic Notes
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Note #1: I'm playing two concerts in the next two weeks, in St. Joseph,
Missouri and Kansas City, Missouri. If you happen to be in one of those
areas, I would love to see you there!
Program (for both concerts)
* Chopin, 24 Preludes, Op. 28
* Ravel, Valses nobles et sentimentales
* Bartok, Piano Sonata.
Dates and places
* 20 March 2000, 7:30 PM, Grant Hall, University of
Missouri-Kansas City, 53rd and Rockhill, Kansas City,
Missouri. Free admission.
* 27 March 2000, 7:30 PM, Fine Arts Theatre, Potter Fine
Arts Center, Missouri Western State College, Saint Joseph,
Missouri. Free admission.
Note #2: Missouri Western State College hosts a Piano Camp in June of each
year for pianists in 6th-12th grade. I am Piano Camp Director, and one
focus of the camp this year will be practice ideas and techniques such as
we discuss on this list. Other highlights are the Piano Camp CD (recorded
by Piano Campers), a tour of historical area pipe organs (Piano Campers
will get to try at least some of them--many date from the mid-to-late
1800s), a recording project in MWSC's multi-track recording studio, private
and group lessons, and performances by Piano Campers on Piano Camp concerts.
For more information, see the Piano Camp web page:
http://www.mwsc.edu/~pianocmp/
Happy Practicing!
--Brent
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PRACTICE TIPS is by pianist, teacher, composer, and internet nerd
Brent Hugh. Brent knows about practicing mostly because he *does*
it, and in fact is toddling off to do some of it just about now . . .
Please remember that this tip is but a small spot near the top of the
elephant's right ear--it's not even close to the whole elephant that is
"how everyone in the whole world should practice the piano".
Practice Tips Archives (updated about once a month):
http://www.mwsc.edu/~bhugh/practicetips/
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+ Missouri Western State College Dept of Music, St. Joseph, Missouri +
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