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PRACTICE TIPS is an occasional email newsletter with practical
piano practice tips and ideas, by Brent Hugh
You are receiving PRACTICE TIPS because you subscribed to PRACTICE
TIPS at the Practice Tips Web Page or because you are a student of
Brent Hugh. To end your PRACTICE TIPS subscription, see the
instructions at the end of this message.
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PRACTICE TIPS #13: Overcoming Tension, Part 1
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In some of our lessons this week, this question came up: How do you stop
yourself from getting more and more tight and tense as you practice?
First of all, you should realize that your end goal is to finish your
practice period feel just as free, open, relaxed, and fresh as when you
started. If, at the end of your practicing, you feel tight, tense, or sore
in the arms, shoulders, neck, upper or lower back, legs, feet, or anywhere
else, it is most likely because you have a series of unconscious habits
that cause muscles in these areas to tighten and "freeze" unnecessarily
while you are practicing and playing. Your piano technique and general use
of your body are not as free, natural, and open as they could be.
Coming to a knowledge of how to use your body in the most free, natural,
and coordinated way is a lifelong project--one all pianists must be engaged
in, but also one that is far beyond the scope of a few email messages.
Nevertheless, here is the first in a series of tips for overcoming tension
in your practice (further ideas will follow in later issues of PRACTICE TIPS):
Tip #1: Take many micro-, mini-, and macro-breaks in your practice. Build
small pauses and rests into your practice routine (practicing in sections
is good for this reason, among others). Specifically take time to move and
stretch every 5 minutes. Every 15 minutes, stand up, move around and
stretch. After 30 minutes of practice, get up and take a walk for, say, 10
minutes. (A study of computer operators with severe repetitive stress
injuries found an astounding rate of recovery when workers followed a
routine of typing for 30 minutes, then exercising on a treadmill for 10
minutes.)
Using a timer while practicing is especially helpful in reminding yourself
to take micro-breaks. You can just watch the minutes on the timer to know
when your micro-breaks should happen, but if you are prone to get too
involved with your practicing and skip your micro-breaks, you can set the
timer to countdown and beep every 5 or 15 minutes. For further
encouragement, set the timer to beep in 5 minutes and then put it across
the room.
Following this kind of micro-, mini-, macro-break regimen is particularly
important if you have a history of tension build-up or pain while
practicing. You must stop the tension from building up LONG before it
turns into pain. So observe yourself while practicing, and as soon you
feel tightness, tension, tiredness, or that heavy, unresponsive feeling in
your muscles, take a micro-break and rest, relax, and stretch.
Practicing this way will not only help you avoid hand, arm, and back
problems, but also teach you to play in a more natural and musical way.
Happy Practicing!
--Brent
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PRACTICE TIPS is by pianist, teacher, composer, and internet nerd
Brent Hugh. Brent knows about practicing mostly because he *does*
it, and in fact is toddling off to do some of it just about now . . .
Thanks to the many people who have written to say PRACTICE TIPS has
been helpful. I always like to hear what you think of these
ideas and how they worked for you!
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